In “Indiana Jones and the Dial of Destiny,” the fifth installment of the franchise, the curse that seemed to affect the even-numbered films has been avoided. While it may not reach the heights of the best two films, this adventure ranks higher than its predecessors, particularly the divisive “Kingdom of the Crystal Skull” released in 2008. The film showcases Harrison Ford in his final portrayal of the beloved Indiana Jones character, delivering the necessary thrills and an emotional storyline.
Following positive reception from Lucasfilm, director James Mangold, known for his work on “Ford v. Ferrari,” was entrusted with overseeing a “Star Wars” movie after his success with “Dial of Destiny.” Set in 1969, the film portrays an aged and world-weary Indy, grappling with the challenges of that tumultuous era while dealing with personal losses and physical ailments.
The story begins with an exhilarating 20-minute flashback sequence, employing impressive de-aging technology, as Indy and his colleague (played by Toby Jones) confront a group of Nazis aboard a train during World War II’s final days. Instead of the usual treasure hunt, they stumble upon the film’s MacGuffin, an invention by the ancient Greek mathematician Archimedes that possesses remarkable power, rivaling the likes of the Ark of the Covenant and the Holy Grail. The object attracts the attention of a Nazi scientist (portrayed by Mads Mikkelsen), known for his portrayal of compelling villains.
Fast-forwarding to the present, Indy is on the verge of retiring from his university position when he is approached by his old friend’s daughter, Helena Shaw (played by Phoebe Waller-Bridge), who seeks his help in finding the elusive Dial of Destiny. Naturally, the pursuit of the artifact puts Indy and Helena in conflict with the pursuing Nazis.
The film takes audiences on a globetrotting adventure, where Indy’s action skills are still believable, although he frequently acknowledges his advancing age and the limitations it imposes on his adventures. While some may argue that the franchise should have concluded with 1989’s “The Last Crusade,” “Dial of Destiny” manages to offer a credible and even poignant continuation of Indy’s character arc. It also explores the intriguing dynamic of Indy grappling with the counterculture movement of the late ’60s.
The theme of Indiana Jones himself becoming a relic from a bygone era is not lost in this film. As an 80-year-old lead, Ford continues to impress with his charisma and energy, even taking on TV roles in “1923” and “Shrinking,” along with an upcoming appearance in a Marvel film.
Ultimately, “Indiana Jones and the Dial of Destiny” serves as a satisfying bookend to Ford’s near-half-century portrayal of the iconic action hero. While the film has its moments of slower pacing, it offers enough to make it a worthwhile experience as audiences witness Indiana Jones ride off into the metaphorical sunset one last time, symbolizing the end of an era for both the character and the actor.